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Happiness

Happiness

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We pull up to the gate at 5:30 but have to sit until almost 6, waiting for enough light to filter through the fog so we can make our way into the fields. The marine layer doesn’t usually creep this far inland, but this week it’s been heavy, sticking around, settling into the valleys like wet smoky mud. Probably why the foreman was late.

Paco’s van smells like cheap whore and taco shop and I’m glad to be out.

He’s jawing at the foreman, trying to get an angle. He’s always looking for an angle. I don’t know how you get an angle on a strawberry field but Paco wouldn’t be Paco if he didn’t try.

It’s just us – Paco, Luis, Hector and me – and 4 or 5 older ladies that showed up in a beat-down Astro. They look like Indians – maybe Zapotecs  – coffee skinned, compact, bundled up. They move efficiently, speaking a few words to each other in Chatino. Fair enough.

Paco walks over and jabs an elbow in my ribs. “You like that, cabron? You want to hit that?” I grab some flats and leave him to his sneering.

It’s been the four of us for about a year. Luis and Hector are brothers, don’t talk much, and only in Spanish. Most of what they earn goes back to Mexico, apart from Luis’ taste for Budweiser. Hector has two kids, though. Goes home for Christmas every year and comes back with two new pictures. Paco – I don’t know where he came from. I’ve heard him tell a half-dozen different stories and none of them sound true. Someone in Fresno told me they thought they recognized him from a wanted poster in Texas, which wouldn’t surprise me. I don’t think he’s dangerous. I can just see how his mouth and his angles could have landed him in something that went way over his head. It might be why we always work the edges of the season, off-peak – always a week early, a week late.

After a few hours I stop and stretch. The fog is still thick. I’m glad. Good weather. I can hear Paco singing a corrido but I can’t see him. Glad again.

I pull a book from my back pocket and flip it open. Harvest Poems, by Carl Sandburg. Picked it up at a yard sale a few weeks ago. I always have a book in my pocket. When I get a new one I leave the old one in a laudromat or on top of an ice machine or newspaper rack. They probably mostly get thrown out, but I always imagine someone else picking them up and reading them, wondering where they came from.

Luis is standing right in front of me. Fog is tricky like that – makes me forget. Can’t see anybody all morning and all of a sudden someone steps out of nothing and there you are with your book in a strawberry field like an idiot. He can see I don’t need more flats but leaves me some anyway. I shove the book back in my pocket and start picking.

My back aches, so I bend my knees more. Pretty soon my legs ache. Paco always says I’m soft and he’s right. I’m from Pacoima. I’m second generation. I graduated high school and played baseball and used to write stories my English teachers said were good. Even took some classes at a community college, but that wasn’t going too well so I hooked up with my uncle to work the central valley. Just for the summer, to figure things out. That was 18 months ago.

Towards midday the fog is burning off, thinning out. The Zapotecs have almost twice as many flats ready as we do. We get our sandwiches and sodas out of the van and sit under an old pepper tree near the gate. I pull out my book. I like the poems of Carl Sandburg. He talks about unions and soldiers and Abraham Lincoln. I like most when he talks about work and workers. He was a poet but he knew about sweat and blood returning to earth. What it is to have dust in your lungs and sun in your eyes. He knew the people who dig coal, dig ditches, who pitch shale over their shoulders, looking for a vein of hope. People who sleep outside, hidden between tall clumps of pampas grass, staring up at a low splinter of moon with bellies full of stolen tomatoes.

Paco and Hector brush themselves off and head back out. Luis reaches into the cooler for his after-lunch beer. I read.

After a few minutes Luis clears his throat. “Hector was going to be a lawyer,” he says softly, “He was going to school in Mexico City and everything. Then he got Rosanna pregnant and had to quit. Had to work.”

He takes a long drink and watches his brother load trays of strawberries onto a flatbed. “He would have been a good lawyer.”

It’s the most he’s ever said to me. He reaches into his backpack and slides me a bus ticket to Los Angeles. The way he does tells me Hector doesn’t know. This is between him and me.

“It’s good work up here, but not for you. Paco hates when you read because he doesn’t understand. Hector, he hates it because he does.”

I take the ticket. It’s for tonight.

“You read better than you pick, guero.”

I don’t know what to say. I fold the ticket and tuck it into my book, searching for words. Finally I flip to “Happiness” and read it to him in Spanish, only I change Desplaines river to Rio Grande and Hungarians to Tejanos.

He looks at me blankly for a moment, then light begins to break across his face. He smiles, laughs, hoists up his tall boy can.

A felicidad,” he says.

“To happiness.”

joaquin
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September 23, 2010blog Post Under Flash Fiction - Comments
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  • Ric

    I love this story. I have personally come across many a person doing menial work, but capable of so much more. Unfortunately most do not get an opportunity to do better, they remain prisoners of their poverty. I live in the UAE and often see university graduates driving taxis and desperate to get out. Unfortunately it is unlikely they ever will.

  • http://foolishnessofthings.blogspot.com Aniket

    Unfortunately, I see many such people here in India. Far too many. But I loved the way you ended the story spreading hope and happiness. The little insights into Hector and Paco, made me crave to know more about their back-stories too.

    I feel this is a great plot to a larger story about the protagonists struggle and success. And I’m sure he comes back looking for his friends later. :)

  • http://sarahhina.blogspot.com Sarah

    “Paco hates when you read because he doesn’t understand. Hector, he hates it because he does.”

    So, so good. The characters, setting, and story were so vivid to me, so beautifully portrayed with the poetry of realism (People who sleep outside, hidden between tall clumps of pampas grass, staring up at a low splinter of moon with bellies full of stolen tomatoes.–wow), that by the time he gets the bus ticket from Luis, I didn’t want him to go. Because he would never (in my mind) enjoy a book or poem with the same sense of freedom and snatched happiness than he would in that field, surrounded by honest work and a not-quite solitude.

    You made me feel how hard, and how precious, it all is. Whether we meant to end up somewhere, or not, maybe we were really meant to be there, after all.

  • http://cachememory.wordpress.com Rohan

    Super…I agree with Aniket. There are so many people doing what they shouldn’t be doing and desperate to break free here in India. I guess the educational system and mindsets are to be blamed for that…Let me not get into that here …

    Your story is so well crafted…how the character gets into the situation and the way his is shown the escape route to suitable ‘pastures’. :)

  • http://www.storiesspace.com Lisa

    I really enjoy your writing style. You have a talent for creating vivid images with a few well-chosen words. This is one of my favourite lines: “People who sleep outside, hidden between tall clumps of pampas grass, staring up at a low splinter of moon with bellies full of stolen tomatoes.”

    Well done. :)

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